自然的空間，歷史的沉淀，文化的傳承，墨西哥的土著藝術(shù)，一切皆在本案空間。
　　豁然一堵斜石墻，儼然如護(hù)岸墻的神態(tài)一般，具有典型的前哥倫比亞時代的神韻。內(nèi)凹的穹頂，燒火磚的材質(zhì)，從中讀出歷史的質(zhì)樸與滄桑。
　　挑檐墻頭，瓷磚鑄就，淺浮雕回紋飾樣，色彩斑斕。早期西班牙人帶來的痕跡，曾經(jīng)廣泛運用于教堂穹頂之上，幾經(jīng)滄海，如今風(fēng)采依舊。
　　整個外立面，延續(xù)挑檐墻頭的用材、色調(diào)。其造型如同巨鯨出海。幾何的曲線，大氣的外型，實是有雕塑般的厚重質(zhì)感，一如埃及的金字塔，千秋萬代。繭狀的外殼，內(nèi)部各功能空間依走廊有序劃分，更有如阿拉伯庭院般開放的空間。
　　其用材，其手法，乃是西班牙殖民時期的精華，充滿異域情調(diào)。如橙色粘土塊與瓷磚的共同使用，合理的卻令人百思不得其解。墻壁、天花板涂以透明灰泥，踢腳板、浴室、廚房飾以瓷磚碎片，極力創(chuàng)造希臘回紋之紛呈。
The core of the architectonic concept of this house is the result of a search for man’s natural space and his historic and cultural roots along with the aboriginal art of Mexican.
At the front of the property, the sloping stone wall – reminiscent of a typical pre-Colombia era charm – was used as a retaining wall, combined with inverted domes made of fired bricks that convey the pristine of the history.
An overhang covered with polychromatic frets in low relief using fragments of ceramic tiles, originally brought to Mexico by the Spaniards, was constructed on top of the wall. During the second half of the sixteenth century, Spanish artisans originally from Talavera (in Spain) settled in Puebla, Mexico, not far from Mexico City, and made the first ovens for ceramic production. Very soon the domes of many churches were decorated with these tiles, and today it is difficult to imagine any dome of the colonial period without seeing images of multiple reflections when light shines on the enamel of the many colored tiles.
Outside, the exterior wrap of the dwelling received a polychromatic coat of ceramic tile fragments, evoking the image of a whale rising out of the sea. The generatrix curves communicate generous form, the essence of which brings the heavy mass characteristic of sculpture and just likes the egyptian pyramids in people,s mind. The outer covering, which looks like a cocoon or embryo, divides the more intimate areas of the dwelling from the social areas using a hallway that generates a center, open space similar to that of an Arab patio.
Inside, construction methods and materials were borrowed from concepts brought to Mexico from Spain during the colonial period. The use of orange-colored clay briquettes combined with ceramic tiles is one such example. The walls and ceilings were covered with transparent stucco, while the baseboards, bathrooms and kitchen were covered with ceramic tile fragments, creating whimsical Grecian frets in different tones.